1. Jazz as Nonrelational

It is true that the business of music has killed pure art forms Jazz  but the same can  be said about Blues music. I don’t think that Jazz is dead. Blues gave birth to Jazz then went on to give birth to R&B, Rock and Roll, Hip Hop and now its in its final form which is called pop music. The conditions that black people lived under in Detroit during the 1950’s and the 1960’s created a bluesy environment in which black people poured their souls out on wax that confined their pain to 3 minute songs. These were pressed out the same car factories that pushed us out the jobs that were available during the war economy. Jazz was sound that aided our songs of lamentations just like the Blues. The sound has changed but the message of lamentation has remained the same. Because of the business of music black peoples woes aren’t as popular as they used to be. Consider the modern-day artist Doechii who won a grammy this year, she sang about the blues of her anxiety and  the final form of jazz which is popular music recognized it and awarded her because its something that has or will touch our lives at some point. I hear Jazz sampled in many hip hop songs for example Otis which is song by Jay Z and Kanye West derives from an Otis Redding song titled Try a Little Tenderness. If you listen to this song the thesis is based on attaining wealth as a coping mechanism to the social death in a capitalistic society.  In one of his verses Jay Z says  “Driving benzes with no benefits, not bad for some immigrants”  while Otis Redding harmonizes singing it makes it easier to bear. We have to also consider Madam CJ Walker who bought a Rolls Royce during the Reconstruction Era. Jazz is a lot less pronounced but definitely not dead in my opinion. A lot less horns but we are Jazz because the songs of lamentation are alive and well.

https://www.youtube.com/watch?v=BoEKWtgJQAU

2. Jazz and Social Death

I agree that black life is definitely minimized and socially dead in mainstream society. There has a campaign of public shaming methodology in regard to black men in mainstream society. Black men in the realm of music and entertainment have been broadcasted as sexual deviants, while the mainstream media rarely highlights black men in a positive light. As of recent the CEO of Abercrombie&Fitch was deemed mentally unfit to stand trial in his sex trafficking case and we still have not been told who were the passengers on Jefferey Epstein’s private jet who who also involved in sexual crimes. The abandonment of Jazz as a pure art form by the mainstream culture does signal black people’s perpetual exclusion from a capitalistic society and I think that was due to our upward mobility during the Motown Era. Thank God for people like Berry Gordy who gave us black artist like Marvin Gaye, Smokey Robinson and Etta James. Consider Elvis Presley who was given songs written by black people but his visage made him acceptable to the masses to relay our songs of lamentations and joy. And then there was Drake….

https://www.youtube.com/watch?v=H58vbez_m4E

3. Black Optimism and Jazz’s Resilience

Jazz as a pure art form could thrive in a city that has all the right ingredients to propel independent Jazz artist. If we had a black equivalent to Nashville Jazz would be more present in our lives today. I think that Jazz’s death has created space for many of its offspring and it will continue to do so. It is sad that I can only listen to Jazz in tiny venues in Portland but I’m a true believer in quality over quantity so I can live with it for now. In the spirit of Black optimism maybe Jazz will have a massive resurgence one day, who knows? In the meantime we have many great artists who were inspired by Jazz music like Curtis Mayfield who will comfort us. 

https://www.youtube.com/watch?v=dMGY8A1uHSM

4. Will the Circle be Unbroken?

The broken circle of Blackness and jazz teach us that mainstream only care about the bottom line. If they would listen to the message in the music then we would receive a compassionate approach to healing but instead Jazz has been hijacked and repackaged in a form that we can barely recognize so we don’t call it Jazz. Jazz’s target market won’t make mainstreams pocket heavy so it’s treated with disrespect.